Mafia

The first time I drew three people, it was incredibly challenging. Unlike movie posters or similar crowd shots where layout and arrangement are all that's needed to make them look good, which is easy for a former designer, this was in the same space, requiring consideration of many more factors. In the end, I relied on my experience shooting product photography to arrange the composition. It was quite interesting; as the volume of commissions increased, I used more and more of my photography and design experience. It seems like all my previous experiences were for these moments, like a line from a book I once read: "No experience in life is useless." I really like this sentence. Looking back now, even the less glamorous experiences taught me a lot. Of course, uncomfortable things are uncomfortable, and embarrassing things are embarrassing, but in retrospect, the self that overcame these difficulties is a valuable teacher on the path of future growth, not to mention the additional skills gained. Okay, I've been rambling on a bit lately, so let's get back to this image. During conversations with clients, we discussed some thought-provoking issues. I enjoy reading, but some clients are hesitant to openly share their thoughts, fearing they might scare the artist. Having some experience working overseas, I find this cultural difference quite interesting. I've noticed a significant gap in the sense of fulfillment between Taiwanese and overseas artists. Taiwanese artists tend to be more reserved in expressing their feelings, whether joy or opinions, while those overseas are more open. Consequently, Taiwanese artists often feel their skills are lacking. Of course, this also leads many artists to grow more rapidly. Conversely, while indulging in various forms of flattery and encouragement might lead to a healthier mind, it can also obscure one's true abilities. This balance of self-awareness is something worth exploring in depth.